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Engineering Service, Inc.   »  News 
 
News

 
AI Is Transforming Compliance To Enable Intelligent Media Monitoring

Traditionally, broadcasters and media operators have relied on automated systems for recording, monitoring and to maintain compliance with mandatory requirements, such as loudness regulations, SCTE standards and closed caption rules. In recent years, compliance solutions have evolved significantly, allowing broadcasters to support a larger variety of video inputs and a growing number of OTT formats. But some compliance solutions go way beyond this.

     
     
 
Apantac Premieres 8K Multiviewer

Apantac has rolled out its latest product at ISE 2020, the MiniDE-4-QUHD 8K multiviewer. The MiniDE-4-QUHD accepts four HDMI 2.0 inputs and four HDMI 2.0 outputs up to 4K at 50 fps, and an output resolution of 7680x4320. It also has two primary modes—the multiviewer mode and video wall processor mode.

     
     
 
FUJINON Premista 80-250mm T/2.9-3.5 Shipping

Nearly a year after the original announcement in April 2019, FUJINON is starting to ship the new FUJINON Premista 80-250mm T/2.9-3.5. This relatively lightweight and compact lens covers full-frame sensors. Let’s take a look at it!

     
     
 
ChyronHego implements new functionalities for live sports productions in Paint 8.1

ChyronHego is now shipping Paint 8.1, the newest release of the company’s sports analysis and telestration tool. In this update, Paint gives broadcasters the ability to record and play out a multicamera ultra-high-definition (UHD) panoramic video stitch and then manipulate it using full pan, tilt, and zoom (PTZ) control. H.264 streaming and enhanced remote access and control capabilities are among the other new updates.

     
     
 
dock10 Acquires Leader Waveform Monitor

dock10 has purchased a Leader LV5600 SDI/IP waveform monitor as part of ongoing technical development of the production resources supporting MediaCity UK in Salford. Unit will be integrated into dock10's newly completed UHD HDR live production system, checking incoming camera feeds from multiple studio cameras to ensure uniform alignment and color matching.

     
     
 
Sony launches next-generation 4K HDR picture monitors with TRIMASTER at BSC 2020

Sony will launch a new set of high-grade picture monitors from its TRIMASTER range at this year’s BSC Expo in London. New 24’’ and 18.4’’ PVM-X series achieve 100% colour gamut of the industry-leading BVM-HX310 master monitor and an all-white luminance of 1,000 cd/m2

     
     
 
Dalet Unveils The Dalet StoreFront

Dalet has announced Dalet StoreFront, a new SaaS-based solution that enables Dalet customers to create a content marketplace that offers a familiar shopping experience for their B2B clients, partners and affiliates. Dalet StoreFront manages multi-user access to Dalet MAM stored content with advanced search tools to quickly locate assets, filtered to only show relevant materials to a qualified client.

     
     
 
Countryman Phantom Power Supply announced at NAMM

Countryman Associates unveiled its new portable Countryman Phantom Power Supply at Winter NAMM 2020. The Phantom Power Supply is designed with the intention of providing ultra-low noise for clean audio, as well as flexible power options and selectable voltage settings. It can operate on a single 9 V battery, two 9 V batteries for extended life, or a 9 V wall adapter. Selectable 12 V, 24 V, and 48 V voltage output settings allow the Countryman Phantom Power Supply to extend battery life for microphones that don’t require 48 V power.

     
     
 
Sachtler's flowtech100 Tripod Used For 'Skid Row Marathon'

Sachtler's flowtech100 carbon-fibre tripod was a critical tool in the production of "Skid Row Marathon," an award-winning documentary from filmmakers Gabriele Hayes and Mark Hayes."Skid Row Marathon" tells the inspiring story of Superior Court Judge Craig J. Mitchell and the people of the Skid Row Running Club in Los Angeles, who have turned their lives around through the empowering sport of long-distance running.

     
     
 
The Future Of Playout

Some say playout is dead. I really have to disagree with that idea. Yes, of course the traditional broadcast playout infrastructure—hardware switchers, servers and graphics devices, driven by a monolithic automation system—will gradually fade away. But the functionality is still required because the core business driver remains, more pressing than ever.

     
     
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